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Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?
‘Curate’ is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator.
But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist’s war with sleep to Subway’s ‘sandwich artists.’ Recalling such landmark works of cultural criticism as Tom Wolfe’s The Painted Word and John Berger’s Ways of Seeing, Curationism will change the way you look at art – and maybe even the way you see yourself.
‘This is an unusual art book. It is a book you should read and one that you can. Balzer traces the history and current hegemony of curationism, a practice of jumped-up interior decorators who double as priests explaining the gospel to the unlettered masses. A good read, if you don’t mind reading things that you don’t want to know.’ – Dave Hickey
David Balzer has contributed to publications including the Believer, Modern Painters, Artforum.com, and The Globe and Mail, and is the author of Contrivances, a short-fiction collection. He is currently Associate Editor at Canadian Art magazine. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher.
- Sales Rank: #442847 in Books
- Published on: 2014-10-14
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 4.75" w x .50" l, .0 pounds
- Binding: Paperback
- 144 pages
Review
'The kind of book I crave ... a beautiful, useful, and timely book' -- Scrivener Creative Review Best Art Books of the Year -- Sky Goodden, National Post 'Game-changing' -- moMus 'A fast but deep account of the rise of the curator through the art world into popular culture' -- The Globe and Mail 'A polemical account of what curators do and why not everyone is one' -- Monocle Magazine 'Curationism is increasingly persuasive as it nears the present. The best sections concern the rise of conceptual art from the 1950s onwards, the rise of international high finance, and the merging of the two' -- Spectator 'An insightful, provocative and entertaining overview of many of the key issues in both art and cultural life today' -- Art Review 'A book you should read. Balzer traces the history and current hegemony of curationism-a practice of jumped-up interior decorators who double as priests explaining the gospel to the unlettered masses. A good read, if you don't mind reading things that you don't want to know' -- Dave Hickey, art and culture critic 'Point[s] out how far we have come from the original avatars of the term: the curatores' -- Hal Foster, London Review of Books 'Balzer writes with zest, scepticism and sly humour as he tracks the rise of the 'star curator' as marking the end of any possible avant-garde. Curationism is a memorable exploration that will change how you see so many daily activities. I loved this brilliant book.' -- Sheila Heti, author of How Should a Person Be?
About the Author
David Balzer is a Toronto-based writer, editor, and teacher. He has contributed to The Believer, Modern Painters, Artforum.com, The Globe and Mail and others, and is the author of Contrivances, a short-fiction collection. He is currently Associate Editor at Canadian Art magazine.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Suddenly I did not feel alone any more ...
By Arnvid Aakre
As an artist I have seen the beginning of this problem in the art world since the end of the eighties - so much that I left my international position as an artist and moved to Egypt after a large art project under patronage of UNESCOs HQ in Paris. Finally someone who have followed the situation since that time and openly state his concern for the situation for curationism in the art world. For those concerned about contemporary art, this book is a must.
2 of 2 people found the following review helpful.
This is a terrific look at contemporary issues within the field
By Robbin Zella
This is a terrific look at contemporary issues within the field. Perhaps I loved it because it reinforces and validates my opinions nevertheless it is a well researched book and traces the history of curating. I highly recommend it!
1 of 1 people found the following review helpful.
Such a great read!
By Catherine Metayer
This book is filled with interesting information about the history and different social, conceptual aspects of curating and its various trends, yet it is superbly written with lightness, humour and thoughtfulness. Loved it!
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