[S520.Ebook] Ebook Somehow Tenderness Survives: Stories of Southern Africa (Cascades), by Hazel Rochman

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The "Cascades" series offers hardback novels to be explored in the classroom. This is a collection of ten stories by South African writers such as Nadine Gordimer, Mark Mathabane and Doris Lessing. The stories create a moving and vivid portrait of how apartheid affects young South Africans.

• Sales Rank: #10434880 in Books
• Published on: 1992-04-02
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 160 pages

From Publishers Weekly
Rochman, an expatriate South African, selected these 10 stories by eight of her compatriots. As she points out in the introduction, the stories are grim; readers unprepared to confront the harsh realities of apartheid may well be shocked. The book opens with the brutal "Crackling Day" by Peter Abrahams, told by a black boy who gets a beating for having defended himself against a violent group of white schoolboys. Following that is "The Old Chief Mshlanga" by Doris Lessing, which is more subdued, but just as upsetting. Nadine Gordimer is represented by "Country Lovers" and "A Chip of Glass Ruby." Other stories describe a young black boy's father being taken away by police, the unlikely camaraderie between a white soldier and a black guerrilla, the silence of a rainy night in a black township after a firebombing. These thought-provoking tales present a stunning indictment of apartheid, although some contain powerful sexual references that may not be suitable to younger members of the target age group. A Charlotte Zolotow Book. Ages 12-up.
Copyright 1988 Reed Business Information, Inc.

From School Library Journal
Grade 9 Up This short collection is consistently fine in its effort to humanize a major issue of our time. Eight authors are represented by ten stories; the writers are black and white and range from the much-anthologized Doris Lessing, Nadine Gordimer, and Mark Mathabane to less-familiar names like Dan Jacobson and Ernest Havemann. Somehow Tenderness Survives is a worthy companion for other collections such as A Land Apart (Penguin, 1987), edited by Andre Brink, African Short Stories (Heinemann, 1985), edited by Chinua Achebe, and The Penguin Book of Southern African Stories (1986), edited by Stephen Gray. Although for the most part the stories in this latest collection are simple, even understated, in style, they are subtle. Reading this anthology may help high-school students to grasp the complex idea of how the most private corners of life are affected by systematic restriction and injustice. Tess McKellen, Packer Collegiate Institute, Brooklyn
Copyright 1988 Reed Business Information, Inc.

Review
"Offers a shockingly realistic, yet somehow uplifting portrait." -- -- The Chicago Sun-Times

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0 of 0 people found the following review helpful.
Life of Apartheid
By A. Luciano
This collection of short stories tells about the pain of living under the system of apartheid, from all points of view. Some of these stories are about black people who have to live as inferiors for their entire lives, while others are about white people who realize what kind of system this really is. No matter what side the speaker of the story is on, all of the stories tell of realization and pain and they exhibit over and over again what a bad way to live apartheid was.

I liked that each story was slightly different--some were about the rich, others about the poor, and every author had a different theme and a different purpose. I didn't feel like I was reading the same thing over and over. I tend to not like short stories, though, because they don't have the time to develop the characters to the extent I'd like. I'm always left wondering what happened to the characters after each story ends.

1 of 1 people found the following review helpful.
An eye-opening book.
By Christina A. Delzenero
I was forced to read this book when I was in 6th grade; a few of the stories were selected by our reading teacher, and we were to read and comment on them. Given that it was a school assignment, I was not looking forward to it. However, I ended up devouring the entire book that same night. Growing up in a suburban middle-class white neighborhood meant I had never encountered the issues of apartheid and racism that the characters in this novel endured. Needless to say, I cried while reading the majority of those stories. It really opened my eyes to a world very different from my own, where it wasn't safe to be black in a country that was predominantly black. For the last four years, I taught special education in a junior high and a high school, and I used at least one of these stories each year to give my students a different perspective, and to help teach empathy. I highly recommend this book.

0 of 0 people found the following review helpful.
Revolutionary
By Juli
I first read this book when I was about 12 years old. I didn't understand it all at the time. It led to asking many questions and reading history, trying to find some answers. A powerful book.

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What if serendipity changed your life? Twice.
Elle wasn't looking for love but when Madison enters her life she faces a difficult decision. How can Elle be falling for a woman who's getting married in a few months time? She's supposed to be Madison's wedding photographer but Elle is finding it hard to stay professional.

Will Madison get married even though sparks are flying between the two women?

• Sales Rank: #698558 in eBooks
• Published on: 2015-12-28
• Released on: 2015-12-28
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Typos just ruin things for me
By GloriousLady
Cute story. It's a little predictable, but it's cute. The story development flows well and keeps you interested. However, toward the end of the story, all these extremely obvious typos show up. It sort of ruins the trance of the book. Some are so bad-leaving a characters name out of the subject-the story becomes hard to follow. I understand the great thing about publishing your own stuff via Amazon without going through publishers and editors, but COME ON! Get your writing peer edited. Please.

0 of 0 people found the following review helpful.
Unavailable
By Susan Lucas
A little unbelievable. You go in the woods during hunting season? A soon to be married woman can't tell the truth. Nobody communicates.

0 of 0 people found the following review helpful.
Good read!
By Amazon Customer
A rather great story. I just happen to be one of those suckers for length and felt it could have been more detailed and drawn out.

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[V595.Ebook] Fee Download Greek and Roman Mosaics, by Umberto Pappalardo, Rosaria Ciardiello

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Mosaic has been called “painting for eternity,” and it is in fact one of the few arts of antiquity to survive in something like its original condition and variety. Mosaic pavements with geometric and figural motifs first appeared in Greece at the end of the fifth century BC and subsequently spread throughout the entire classical world, from the palaces of the Greco-Bactrian rulers of present-day Afghanistan to the villas of Roman Britain. Local workshops cultivated many distinctive regional styles, while traveling teams of Hellenistic craftsmen produced figural mosaics of stunning refinement, often modeled after famous paintings; indeed, their work constitutes one of our only records of classical Greek painting, which has been almost entirely lost.

The styles and techniques of the ancient mosaicist’s art are given a concise yet authoritative exposition in the first part of this handsome volume. The second, and larger, part conducts the reader on a chronological tour of the most important centers of the art form’s development, from the Macedonian capital of Pella, whose compositions in natural pebbles set a high artistic standard for mosaics at the very beginning of their history, to the Basilica of San Vitale at Ravenna, whose wall and vault mosaics, with their glittering vision of a triumphant Christianity, mark the transition between antiquity and the Middle Ages. Special attention is given to Pompeii and its surroundings, where the eruption of Vesuvius in AD 79 preserved intact an astonishing variety of mosaics, including such ambitious figural scenes as the famous Alexander mosaic, composed of some four million miniscule tesserae, as well as characteristically Roman pavements in black and white, and the brightly colored wall mosaics of garden grottoes.

Featuring more than two hundred newly commissioned photographs, Greek and Roman Mosaics is the first survey of its subject to be illustrated in full color. It will be a necessary addition to every art lover’s library, and a worthy companion to Abbeville’s Italian Mosaics: 300–1300.

• Sales Rank: #1111030 in Books
• Published on: 2012-11-13
• Original language: English
• Number of items: 1
• Dimensions: 13.20" h x 1.30" w x 11.20" l, 6.30 pounds
• Binding: Hardcover
• 320 pages

From the Inside Flap

Mosaic has been called "painting for eternity," and it is in fact one of the few arts of antiquity to survive in something like its original condition and variety. Mosaic pavements with geometric and figural motifs first appeared in Greece at the end of the fifth century BC and subsequently spread throughout the entire classical world, from the palaces of the Greco-Bactrian rulers of present-day Afghanistan to the villas of Roman Britain. Local workshops cultivated many distinctive regional styles, while traveling teams of Hellenistic craftsmen produced figural mosaics of stunning refinement, often modeled after famous paintings; indeed, their work constitutes one of our only records of classical Greek painting, which has been almost entirely lost.
The styles and techniques of the ancient mosaicist's art are given a concise yet authoritative exposition in the first part of this handsome volume. The second, and larger, part conducts the reader on a chronological tour of the most important centers of the art form's development, from the Macedonian capital of Pella, whose compositions in natural pebbles set a high artistic standard for mosaics at the very beginning of their history, to the Basilica of San Vitale at Ravenna, whose wall and vault mosaics, with their glittering vision of a triumphant Christianity, mark the transition between antiquity and the Middle Ages. Special attention is given to Pompeii and its surroundings, where the eruption of Vesuvius in AD 79 preserved intact an astonishing variety of mosaics, including such ambitious figural scenes as the famous Alexander mosaic, composed of some four million miniscule tesserae, as well as characteristically Roman pavements in black and white, and the brightly colored wall mosaics of garden grottoes.
Featuring more than two hundred newly commissioned photographs, Greek and Roman Mosaics is the first survey of its subject to be illustrated in full color. It will be a necessary addition to every art lover's library, and a worthy companion to Abbeville's Italian Mosaics: 300-1300.

About the Author
Umberto Pappalardo has served as Inspector of Excavations at Pompeii and Director of Excavations at Herculaneum.

Rosaria Ciardiello, also a classical archaeologist, received her doctorate from the University of Naples Federico II.

Luciano Pedicini, a second-generation photographer of antiquities, has contributed to numerous important publications.

Excerpt. © Reprinted by permission. All rights reserved.
INTRODUCTION

Mosaic was a widespread form of decoration in the Greek and Roman world. Evidence of its popularity can be seen in the many square miles of mosaic floors that survive from Syria to Greece, from Egypt to Tunisia, from Spain to France, from Britain to Germany, and from Croatia to Italy.

In the Hellenistic age, the tyrant Hiero II of Syracuse gave King Ptolemy III of Egypt a grand ceremonial ship whose cabins were decorated with splendid mosaics depicting scenes from the Iliad, while in the Roman age, Julius Caesar brought mosaics along on his military campaigns, presumably to adorn his tent, and the emperor Caligula desired that even his luxurious vessels on Lake Nemi be covered with polychrome mosaics.

In our own time, after one of the icons of modern culture, John Lennon of the Beatles, was assassinated on the street outside his home in New York, a nearby area of Central Park was turned into a memorial known as Strawberry Fields. This memorial features a round mosaic of a stylized sun with the title of Lennon’s most famous song, “Imagine,” in the center. Its geometric pattern may have been inspired by those of Roman mosaics, such as the apse of the caldarium in the House of Menander at Pompeii. And so we find one of the most representative arts of antiquity, seemingly vanished forever, making a very striking reappearance in the contemporary world.

This example of artistic continuity is not unique. In February 1917, when a performance of the Ballets Russes, with scenery and costumes by Picasso, was staged at the Teatro di San Carlo in Naples, the artist visited Pompeii with the dancer Leonide Massine and the impresario Sergei Diaghilev. None other than Jean Cocteau, who was directing the show, took a photograph of Picasso and Massine in front of the mosaic fountain in the House of Marcus Lucretius Fronto (plate 2). In the House of the Labyrinth, Picasso had the opportunity to see a mosaic depicting the Minotaur (plate 4). The artist, who had attended the Spanish bullfights since childhood and was moreover a man of extraordinary sensibility, could not but identify with this man-bull who is betrayed to his death by his half-sister. The Minotaur leaves the cave anguished, not so much by the wounds to his body as by those inflicted on his heart. From this encounter arose one of the most celebrated themes of Picasso’s art (plate 3).

The posthumous influence of the ancient art of mosaic does not end there; many other examples could be cited. For instance, some years ago, a well-known italian musical agent and passionate archaeologist of the Near East had a copy of the central part of the famous mosaic map in Madaba, depicting the city of Jerusalem and the Dead Sea, made for the music room of his home near Verona (plate 232).

Still, beginning in the Middle Ages, the art of tessellated mosaic was largely supplanted by that of large marble inlays. The cause of this decline is difficult to determine, although it is possible that in the Roman world, where half the population was enslaved, the low cost of manpower allowed for a greater abundance of such handicrafts. Indeed, the many square miles of ancient mosaics suggest that while they were very elaborate, they must not have been very costly to make. Today, in any case, the medium no longer has the importance that it did in antiquity, and there are only sporadic revivals, such as those by Italian craftsmen in Ravenna and Piazza Armerina, intended for the luxury market.

Most helpful customer reviews

8 of 9 people found the following review helpful.
News of an ancient but ignored technique
By sablich
Most art history books ignore the art of mosaic. They just mention it and with very small pictures, if you're lucky enough. This book offers not only an excellent text but also enormous details to show the very different techniques used in these cultures. Highly instructive. Worth every penny (quarter, euro, etc.)

3 of 3 people found the following review helpful.
Absolutely Fabulous!
By Di West
This is truly a beautiful book packed full of exquisite colour images which are crystal clear. For the art tragic its simply a must have. Beautifully presented and every page turn is delicious. its well set out and very informative. A wonderful reference book for anyone wanting to educate themselves on the art of mosaics, very helpful and informative but even as simply a coffee table book its a perfect addition to anyone's library.

7 of 9 people found the following review helpful.
splendid illustrations
By ronald Yrabedra
the illustrations of mosaics from across the Greek and Roman worlds make this the finest book for those seeking inspiration in these ancient artforms.

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[A448.Ebook] Free Ebook Biochemical Engineering: Principles And Concepts, by Syed Tanveer Ahmed Inamdar

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The book, now in its Third Edition, continues to offer the basic concepts and principles of biochemical engineering. It covers the curriculum for a first-course in Biochemical Engineering at the undergraduate level of Chemical Engineering discipline and also caters to the requirements of BTech Biotechnology and BSc Biotechnology offered by various universities.
The text first explains the basics of microbiology and biochemistry before moving on to explore the significance of enzymes, their properties, types, kinetics, industrial applications, production and formulation and the methods of their immobilization. It also deals with cell growth and its kinetic aspects and discusses various types of biological reactors with an emphasis on key engineering practices related to fermentation processes and products, bioreactor design and operation. It offers a complete description on downstream processing and control of microorganisms. Besides, it also covers in the appendices some important topics such as process kinetics and reactor analysis, bioenergetics, and environmental microbiology to justify their relevance in biochemical engineering.

• Sales Rank: #4375062 in Books
• Published on: 2012-09-25
• Original language: English
• Dimensions: 9.29" h x .91" w x 6.73" l, 1.10 pounds
• Binding: Paperback
• 468 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very Good Basic Book on Biochemical Engineering
By RUSSELL BURNHAM
I'm not a biochemical engineer or student, but the amount of thought and organization that has gone into this book is phenomenal. There is more good information here on enzymes than anywhere else I've found. Despite the moments of being (slightly but noticeably) overly tedious early on, the author has done an exemplary job in effectively communicating the contents. I think more nutritionists should have to study this book. :-)

0 of 0 people found the following review helpful.
No figures or equations - all gobblygok
By Diane Hilton
The content of the book is good; however the figures and equations do not show up on the Kindle version.

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[B611.Ebook] Free Ebook Delhi Noir (Akashic Noir)From Akashic Books

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“Delhi Noir has no lack of true-to-life characters getting twisted, mangled and discarded. Which is why, like the proverbial train wreck, even as you cringe, you won’t be able to look away.”—San Francisco Chronicle

“This book is a chance to get a fix on some of India’s best crime writers, most of whom are totally unknown in North America. Like the rest of this superb series (Brooklyn Noir, L.A. Noir, Toronto Noir, etc.), we are introduced to the city by stories set in locations iconic to the city. In the case of Delhi, that means we go to come very dark spots indeed.”—Globe & Mail

Brand new stories by: Irwin Allan Sealy, Omair Ahmad, Radhika Jha, Ruchir Joshi, Nalinaksha Bhattacharya, Meera Nair, Siddharth Chowdhury, Mohan Sikka, Palash K. Mehrotra, Hartosh Singh Bal, Hirsh Sawhney, Tabish Khair, Uday Prakash, and Manjula Padmanabhan.

The eyes of the world are gazing at India—the world’s largest democracy. But the books you read about this Asian giant only show part of the picture.

Delhi Noir’s fourteen original stories are written by the best Indian writers alive today—the ones you haven’t yet heard of but should have. They are veteran authors who have appeared on the Booker Prize short list and budding geniuses who your grandchildren will read about in English class. Delhi Noir is a world of sex in parks, male prostitution, and vigilante rickshaw drivers. It is one plagued by religious riots, soulless corporate dons, and murderous servants. This is India uncut, the one you’re missing out on because mainstream publishing houses and glossy magazines can’t stomach it. offers bone-chilling, mesmerizing takes on the country’s chaotic capital, a city where opulence and poverty are constantly clashing, where old-world values and the information age wage a constant battle.

Editor Hirsh Sawhney has written for the Times Literary Supplement, the Guardian, Time Out New York, Outlook, and the Indian Express. He splits his time between Delhi and Brooklyn.

• Sales Rank: #1495107 in eBooks
• Published on: 2009-08-01
• Released on: 2009-08-01
• Format: Kindle eBook

From Publishers Weekly
Starred Review. For those whose view of India is shaped by The Jewel in the Crown, conversations with a call-in center or even Slumdog Millionaire, this anthology in Akashic's noir series will register simultaneously as a shock, an education and an entertainment. All 14 stories are briskly paced, beautifully written and populated by vivid, original characters. Standouts include How I Lost My Clothes, Radhika Jha's account of the bizarre robbery of a yuppie drug addict; Hissing Cobras, Nalinaksha Bhattacharya's tale of a meddlesome mother-in-law who meets her death in a temple; and Siddharth Chowdhury's Hostel, which concerns the horrific history of a piece of real estate. Small Fry—Meera Nair's unforgettable story of a young con artist—depicts the day he deserts his mentor/abuser and the scams they run in a city bus station. Few books can alter one's perception about the state of a society, but this does, while delivering noir that's first-class in any light. (Aug.)
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From Booklist
The latest offering in Akashic’s international noir series takes readers to the dangerous and alluring capital city of India. Lacking the intense atmosphere coveyed in Trinidad Noir (2008), these stories still retain a strong sense of place—the reader never loses sight of the contemporary Indian setting. The collection is also notable for polished writing and strongly plotted stories, making it one of the most consistent in the series. The strong opener “Yesterday Man,” featuring a tough female PI, may be the highlight. A good introduction to contemporary crime writing in India. --Jessica Moyer

Review
"Coming in August from Akashic Books is the much darker and grittier Delhi Noir, the latest entry in Akashic's popular noir anthology series. Edited by Hirsh Sawhney, the volume features 14 original tales by both Booker short-listed and upcoming Indian writers (Irwin Alleyn Sealy, Omair Ahmad, Meera Nair) that explore Delhi's 'undercomfortable underside': corruption and contract killings, prostitution rings, rape and sexual assault, class divisions that lead to murder. 'Good crime fiction, however seductive and pleasurable, forces readers to reckon with the inequality and cruelty inherent to modern societies,' notes Sawhney in his introduction." --Library Journal, Feb. 27, 2009

The city unfolds like a fever dream - a series of interconnecting shadow worlds, hidden beneath the palaces, domes and fragrant parks the tourists see. Teeming tenements inside 16th century ruins, rape factories within Mughal hunting lodges and midnight drifters at the bus terminal are seen through the eyes of rickshaw drivers, rootless orphans and brutalised housewives - the powerless, ruled over by corrupt cops who are run by even dirtier politicians and CEOs. Welcome to Delhi. Hirsh Sawhney's anthology resounds with the everyday conflict of this metropolis the uncomfortable rub between extremes of poverty and wealth, ancient religious strife and corporate imperialism. Irwin Allan Sealey brings vigilante rickshaw driver Baba Ganoush to life, Meera Nair tenderly describes a teenage tout, and Hartosh Singh Bal's naive journalist learns some hard truths. Other highlights include the editor's own "Gautam Under a Tree", and the "Cull", by Manjula Padmanabhan, which offers a disturbing premonition of a fascistic future India. -- The Guardian UK

Most helpful customer reviews

11 of 13 people found the following review helpful.
Delhi Noir
By Manbir Chowdhary
The ancient Indian capital is the latest venue of the Noir Series and "India Uncut" is the most apt description that comes to mind. A talented line-up of writers, including both seasoned and new, tell tales of an urban existence unadulterated by political correctness, the agendas of governments and corporations, or the common perception of modern India as an emerging, secular superpower. Delhi Noir proves to be a thoroughly vivid, entertaining and insightful read. In editor Hirsh Sawhney's own words: "It's only natural that Delhi's book buying and publishing citizens would avoid such writing. Any insight into their hometown's ugly entrails would threaten their guilt-free gilded existence and the bubble of nationalistic euphoria in which their lives are contained."

5 of 7 people found the following review helpful.
Very noir
By Mary K.
Delhi Noir is an interesting collection of stories written by new and old writers! The organization by neighborhood was especially fun for those of us who are well familiar with Delhi and the stories do reflect something of the dark side of these places. It is a nice corrective to the easy glamour of much of India's popular culture's self-representation and also to the endless gloomy statistics of writers focused on the need for reform and such in India. Like all noir, it shows the good, the bad and the ugly but unlike Maximum City's voyeuristic representation of the underbelly of Bombay/Mumbai, Delhi Noir explores the experience of Delhi with a much broader set of lenses. Particularly nice is the story by Uday Prakash, which is beautifully translated by Jason Grunebaum. If you love Delhi or you love noir or, like me, you love both, get this book!

2 of 3 people found the following review helpful.
Weak Mysteries
By Ohioan
What I enjoyed most about the stories in this collection was the atmosphere and ambience of another culture. I could see and almost smell the setting, and I definitely wanted to eat Indian cuisine while reading this book. What I liked least was the "mystery" in each story. Hardly. To me, these read like stories by short-story writers who don't write or maybe even read mysteries, but who were asked to or volunteered to write a "mystery" story for this collection. There's one story in this collection that I read twice, trying to figure out what, exactly, the crime or mystery was: never did figure it out.

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