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In an age where art history’s questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins’s series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be.
Shiff’s turn to doubt is not a retreat to relativism, but rather an insistence on clear thinking about art. In particular, Shiff takes issue with the style of self-referential art writing seemingly 'licensed' by Roland Barthes. With an introduction by Rosie Bennett, Doubt is a study of the tension between practicing art and practicing criticism.
- Sales Rank: #11285574 in Books
- Published on: 2007-11-26
- Original language: English
- Number of items: 1
- Dimensions: 8.45" h x .66" w x 5.84" l, .72 pounds
- Binding: Hardcover
- 216 pages
Review
"Overall, Doubt is a major contribution, both to art history and to the history of art history. Schiff's emepathy with art and artists, his subtle and intricate understanding of how thought and making are intertwined, means that it could be a contribution to contemporary practice as well." --caa.reviews
About the Author
Richard Shiff holds the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin, where he directs the Center for the Study of Modernism. His publications include Cezanne and the End of Impressionism, Critical Terms for Art History, and Barnett Newman: A Catalogue Raisone.
Most helpful customer reviews
6 of 9 people found the following review helpful.
An Important Piece on Postmodernism!
By Roja Najafi
Doubt, is the last volume of three books on visual arts: I like the introduction very much! Richard Shiff presents an understandable account of Modernism and Postmodernism! If you are focusing on modern and contemporary art you must take a look at this book: It is very useful!
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